The Note Pyramid
What she smells like, from first light to last smoke.
- Lime
- Grapefruit
- Ginger
- Galbanum
- Skunk
- Gardenias
- Tuberose
- Violet Leaf
- Blue Yarrow
- Frankincense
- Jade Wood
- Guaiac Wood
- Tree Moss
- Haitian Vetiver
- Peru Balsam
The Legend
When the gods and the demons set out to win deathlessness from the sea, they wound the great serpent Vasuki around a mountain and turned the ocean with him like a rope. They churned the water for an age, and the sea gave up its treasures one by one. First it surrendered a poison black enough to end the world, and only a god's throat could hold it. Then, last of all, it gave up the amrita, the nectar of immortality, rising in a single vessel of gold.
The demons seized the pot before the gods could reach it, and deathlessness came within a breath of falling into the wrong hands. So Vishnu, the preserver of all things, took a form the world had never seen him wear. He became Mohini, an enchantress so beautiful that every eye in both armies turned and forgot what it had been reaching for. Blue as the deep of the churned sea, blue as the god held within her, she stepped between the demons and the nectar and asked only that she be allowed to pour.
They handed her the pot. That was their undoing and the world's deliverance. Mohini poured for the worthy and passed the false ones by, and when a demon slipped into the line wearing a god's stolen face, her light fell across him and the disguise burned away. Nothing hidden could stay hidden in front of her. This is the oldest thing that is true of her, older even than her beauty. She is the one before whom no mask holds.
When the pouring was done and the deathless had drunk their fill, Mohini did not empty the vessel. She carried what remained into the deep green, to a temple the maps had long since lost, and there she sealed it. Wherever a single drop escaped her hands the jungle rose to meet it, green and undying, blooming up out of the nectar's overflow. The serpents of the churning followed her and coiled at her feet, and the lotus that had risen beside the amrita opened once more at her knee.
This is the Jungle Potion. It is her amrita, the churned nectar of the deathless, sealed drop by drop into a vessel you can hold in one hand. She keeps it for those who cannot reach the sea and turn it for themselves, yet still wish to carry a little of the immortal green. To wear it is to stand for a moment inside her pouring. The senses wake as though for the first time. The dull day turns bright and living. And whatever false thing was hiding, on you or around you, finds that her light has already reached it. She pours still, the old ones say, for anyone ready to be seen exactly as they are. That has always been her one condition, and it has never once changed.
The Maker
I built Jungle Potion to be Mohini's amrita made wearable, that immortal green light itself. A living jungle caught at the hour it turns holy, thick with humidity, heavy with bloom, and faintly dangerous the way a real wilderness always is.
So I refused to make it only pretty. A feral tincture sits low under the citrus and keeps the green alive and breathing. Take that note away and the whole thing collapses into a perfume. Leave it in, and it becomes a place you can walk into. That was always the goal. A world, held in a bottle, with an animal still living in it.
I will always tell you where my hand ends and where the earth begins. The jade wood here is an accord I composed to carry a cool green stone through the base. The feral note is a tincture, coaxed and tamed by hand. Everything else is the real and costly thing.
True oakmoss, so restricted now that most houses have quietly walked away from it. Haitian vetiver, distilled from roots by slow and stubborn labor. Frankincense tears, blue yarrow run deep with its own blue oil, Peru balsam, guaiacwood. These materials are not cheap to love, and I would never ask you to wear an imitation of them and call it the same.
The Materials
Every material in this bottle answers to the legend. Nothing is here only because it smells beautiful. This is what each one stands for upon the altar.